More amateur ramblings. Mon opinion n'engage toujours que moi...
This blog is for anything and everything other than the operas and concerts covered in my original blog, 'WE LEFT AT THE INTERVAL' (link under Other Blogs in the menu on the left)
Ann Hallenberg sings Rossini's Willow Song (YouTube)
This week I made the trip out to Chantilly where, in the Jeu de Paume, the Condé museum is showing, quite exceptionally, the calendar folios of the Duc de Berry's Très Riches Heures . These twelve double-page spreads have just been restored, which explains why it was possible now to display them individually, in specially-made, air-conditioned cases, before they are bound back into the book and shut away, like Sleeping Beauty (the original Disney version of which they are said to have influenced), for the next hundred years, maybe more. The museum is marketing the show as a once-in-a-lifetime experience. According to museum director Mathieu Deldicque, who also curated the exhibition: ' This manuscript was already famous in the Middle Ages. By putting it back into context, we can better understand what makes it the most ambitious, where it came from, who commissioned it, and why, from the 15th century onwards, it had such a profound influence on the arts, manuscripts, painting,...
Four years ago, already, I posted an article about nerd_funk, and what I saw as the emergence of a whole new genre . In it, I called nerd_funk 'an ambitious, multi-faceted project by Ali Eslami and Mamali Shafahi,' and explained that the aim was 'to curate an archive of thousands of Instagram stories Ali and Mamali see as relevant to their interests (...) and use it as a base of source material for new kinds of experience for users/spectators: immersive experiences, which may be seen as artworks, film, documentary, entertainment, or all of these and more.' These experiences include a major VR component. It has been a long-term project, as reflected in the subtitle - 'A Seven-Year Odyssey' - of the exhibition now on (April to June 2025) at the MU Hybrid Art House in Eindhoven. The installation combines three eight-minute VR experiences with other video-based activities, fairground-style games, a library and an assortment of related artworks, designed as a jour...
This week I went twice to see the big Wolfgang Tillmans exhibition at the Pompidou Centre, called Nothing could have prepared us – Everything could have prepared us . One of the best exhibitions I've ever seen. There isn't much point, I think, in posting photos of photos. But once again, and perhaps more than ever, Tillmans has done a brilliant job of curating and designing the exhibition and installing his own work in relation to the space on offer - in this case, 6,000 square metres, where the Pompidou's public library was. Uncannily, it feels almost as if the space had been designed for the works, rather than the other way round. So, rather than focusing on individual works, I've tried to take photos that give a feel for the way he uses the vast space, inhabiting and highlighting the building before it closes for renovation.
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