More amateur ramblings. Mon opinion n'engage toujours que moi...
This blog is for anything and everything other than the operas and concerts covered in my original blog, 'WE LEFT AT THE INTERVAL' (link under Other Blogs in the menu on the left)
Ann Hallenberg sings Rossini's Willow Song (YouTube)
The Palais de Tokyo has no air-conditioning, and some of its galleries have glass roofs, so in the summer the place can get very hot. I well remember, during Prince.sse.s des Villes , the sprawling summer exhibition of 2019, it was stifling. It has, however, an abundance of labyrinthine, relatively rarely-used underground spaces in bare concrete. The drop from the avenue in front of the Palais to the streets at the back, at river level, is considerable. (The long flights of stairs are familiar to me from visits to the Iranian embassy's visa department.) I've no idea how many buried levels the building actually has. Anyway, this year, the curators have had the clever idea of going down nearly as deep as possible, creating a new pathway starting at least two floors below street level, where it's dark and cool. Exhibition halls on the main and upper floors aren't used at all; only the ticket offices, shop and restaurant are still open. Guards and visitors can all be gratef
nerd_funk is the name of an ambitious, multi-faceted project by Ali Eslami and Mamali Shafahi. Ali and Mamali are both Iranian by birth but now based mainly in Europe. Ali is from a new-technology background but has gravitated towards art, and will soon take up a two-year residency at the Rijksakademie in Amsterdam. Mamali is from a fine-arts background, but has developed a strong interest in new technologies, now often at the heart of his practice. Their profiles fit together neatly, like the pieces of a puzzle; this helps explain the unique strengths of their partnership in a project that combines art and high-tech. Shared interests Mamali and Ali discovered they shared a fascination with the impact on our lives, now and in the future, for good or ill, of new and emerging technologies, along with the now-ubiquitous phenomena, such as social media, they have made possible, and it was this shared interest that cemented their partnership. They're interested in how, already, technol
Anna Uddenberg is a Swedish artist whose work has, I think, something quite original, distinctive and perceptive to say about the image of women in certain, specific currents of consumer culture that might otherwise be overlooked. I hadn't seen much of her recently, but she now has an exhibition, at her Berlin Gallery, Kraupa-Tuskany Zeidler (or K-T Z), of totally new works focusing, this time, not on women but on men. The resulting woodcarvings are an interesting and quite surprising development, and add to what seems to be almost a 'fashion' for reliefs in art at the moment. This is the link to the new exhibition, 'Big Baby' , at K-T Z. This is the link to a video about the new work, on Vimeo , but the video is also on the gallery website. This is the direct link to the page about Anna Uddenberg on the gallery site. The following are some photos of Anna Uddenberg's new and previous work, 'borrowed' from K-T Z.
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