Still Time inaugurates the Fitzpatrick Gallery, rue de Turenne

Posted
I've no intention of writing a blog post every time I visit a gallery, but I must say I how impressed I was by the new Fitzpatrick Gallery on the rue de Turenne - both the new space and the curating of the opening exhibition, Still Time.


Even if you don't like all the works in it (and you rarely do), a well-curated group show - the choice of the artists and works and the way they are displayed together - is a pleasure in itself, as I think I implied in my earlier posts about Parallel Circuit in Tehran and Everyday in Antwerp. In this case, the exhibition was curated personally by owner Robbie Fitzpatrick, whose booth at Liste in Basel caught my eye for the same reason. I was especially glad to see a polychrome limewood relief by Mathis Collins, a favourite of mine, there; a large painting by Vittorio Brodmann - I like to see what he's up to; and a small one of peaches by Ulala Imai, whose engaging painting of bacon and eggs, similar in size, had already caught my eye at Crèvecoeur some time back. I also enjoyed Mathis Altmann's large assembly, Teutonic Disaster.

The new gallery has a single shop-front at street level, but inside, a narrow staircase leads up to a set of comfortably spacious, luminous rooms with parquet floors, giving the feeling it will always be a pleasure to go back. (I went on a sunny day.)

The gallery website has, of course, full information about the exhibition and more photos than I'm posting here - without credits, I'm afraid, as I couldn't see who'd taken them, and I didn't take any good ones of my own.

Edit: I take that back. The photos are by Romain Darnaud.







Comments

Post a Comment

Popular posts from this blog

The Palais de Tokyo's summer exhibitions, 2023

Posted
Image
The Palais de Tokyo has no air-conditioning, and some of its galleries have glass roofs, so in the summer the place can get very hot. I well remember, during Prince.sse.s des Villes , the sprawling summer exhibition of 2019, it was stifling. It has, however, an abundance of labyrinthine, relatively rarely-used underground spaces in bare concrete. The drop from the avenue in front of the Palais to the streets at the back, at river level, is considerable. (The long flights of stairs are familiar to me from visits to the Iranian embassy's visa department.) I've no idea how many buried levels the building actually has. Anyway, this year, the curators have had the clever idea of going down nearly as deep as possible, creating a new pathway starting at least two floors below street level, where it's dark and cool. Exhibition halls on the main and upper floors aren't used at all; only the ticket offices, shop and restaurant are still open. Guards and visitors can all be gratef
Read more

nerd_funk and the emergence of a new genre

Posted
Image
nerd_funk is the name of an ambitious, multi-faceted project by Ali Eslami and Mamali Shafahi. Ali and Mamali are both Iranian by birth but now based mainly in Europe. Ali is from a new-technology background but has gravitated towards art, and will soon take up a two-year residency at the Rijksakademie in Amsterdam. Mamali is from a fine-arts background, but has developed a strong interest in new technologies, now often at the heart of his practice. Their profiles fit together neatly, like the pieces of a puzzle; this helps explain the unique strengths of their partnership in a project that combines art and high-tech. Shared interests Mamali and Ali discovered they shared a fascination with the impact on our lives, now and in the future, for good or ill, of new and emerging technologies, along with the now-ubiquitous phenomena, such as social media, they have made possible, and it was this shared interest that cemented their partnership. They're interested in how, already, technol
Read more

Anna Uddenberg: an interesting new development

Posted
Image
Anna Uddenberg is a Swedish artist whose work has, I think, something quite original, distinctive and perceptive to say about the image of women in certain, specific currents of consumer culture that might otherwise be overlooked. I hadn't seen much of her recently, but she now has an exhibition, at her Berlin Gallery, Kraupa-Tuskany Zeidler (or K-T Z), of totally new works focusing, this time, not on women but on men. The resulting woodcarvings are an interesting and quite surprising development, and add to what seems to be almost a 'fashion' for reliefs in art at the moment. This is the link to the new exhibition, 'Big Baby' , at K-T Z. This is the link to a video about the new work, on Vimeo , but the video is also on the gallery website. This is the direct link to the page about Anna Uddenberg on the gallery site. The following are some photos of Anna Uddenberg's new and previous work, 'borrowed' from K-T Z.
Read more