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Leonora Carrington again, this time in Paris

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Three years ago, I posted about a trip to Madrid to hear Händel's Solomon  with Ann Hallenberg and Miah Persson , taking in the big local art fair, ARCO, and a big exhibition of Leonora Carrington's work, while I was there. I actually imagined, without looking for more accurate information, that the Paris exhibition, at the Musée du Luxembourg , would be the one I saw in Madrid, now travelling to France. It wasn't. This was a much smaller show. But, though I don't have an ounce of magic or spirituality or alchemy in me, I love Leonora Carrington's work - she's probably the only artist labelled 'surrealist' I like so much. So any Laura Carrington event is an important one to me, and along I went, on a hot and sunny spring day. I've nothing more to say about it, other than that, though small, it otherwise didn't disappoint. Here, I'm just posting a few of my photos, including one of a piece by Remedios Varo, and another of one by Max Ernst, wi...
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Les Très Riches Heures du Duc de Berry at Chantilly

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This week I made the trip out to Chantilly where, in the Jeu de Paume, the Condé museum is showing, quite exceptionally, the calendar folios of the Duc de Berry's  Très Riches Heures . These twelve double-page spreads have just been restored, which explains why it was possible now to display them individually, in specially-made, air-conditioned cases, before they are bound back into the book and shut away, like Sleeping Beauty (the original Disney version of which they are said to have influenced), for the next hundred years, maybe more. The museum is marketing the show as a once-in-a-lifetime experience. According to museum director Mathieu Deldicque, who also curated the exhibition: ' This manuscript was already famous in the Middle Ages. By putting it back into context, we can better understand what makes it the most ambitious, where it came from, who commissioned it, and why, from the 15th century onwards, it had such a profound influence on the arts, manuscripts, painting,...
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Paris art fairs 2025 - 3: any other art...

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Having posted some photos, with brief comments, from Art Basel Paris and Paris Internationale , I simply forgot I'd meant to add a third article about Paris's 2025 October events, this time covering any other art that had struck me since I came back from Greece. In other words, this particular post, now that I've remembered to write it, isn't limited exclusively to the fairs; it's intended to tie up loose ends. The reason I came back to Paris when I did, mid-October, was not only to catch the art fairs, but first of all, to go to a concert in Brussels, written up on my other, opera blog . We had some time to kill before the event, time enough to visit the John Baldessari exhibition at the Bozar, i.e. the very building the concert was due to take place in. It's uncanny how, when in the presence of really good art, you just know it. I liked it a lot. Back in Paris, the first fair I went to was actually neither Art Basel nor Paris Internationale, but Asia Now. Thi...
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